Saturday, December 3, 2016

Kill Ball by Carlton Mellick III: Review

Kill BallKill Ball by Carlton Mellick III
My rating: 5 of 5 stars

Carlton Mellick III introduces his book as a parody of 1970’s Italian thrillers (giallo) infused with Bubble Boy wackiness, paraphrasing here. He has an enviable ability to take far out, ridiculous concepts and think them out logically, or in a way that seems logical. For instance, Carlton has the scientific awareness to mention the problem of friction burns when sliding at high speeds in a rubbery ball. I wish I had this sonofabitch’s knack for coming up with this stuff, especially at the frequency he does.

In some ways, parts of this make me think of films like Running Man (1987) and The Stuff (1985) with a dash of The Blob more than the 1970’s Italian thrillers. Either way, it only took me four days to read this book although one of those days was months ago when I got the free Kindle sample, then I finished the rest in three days upon purchasing the book.

If you like any of the references I mentioned then you will probably like, if not love, this book. This book is also incredibly romantic without being drippy and super sentimental. This was my first Mellick III book, only having read the short story “candy Coated” before. I’m definitely ready for more.


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Tuesday, November 29, 2016

Review: Glue By Constance Ann Fitzgerald

If anyone understands human weakness and mistakes it is the author of this book. This book is anything but.

GlueGlue by Constance Ann Fitzgerald
My rating: 5 of 5 stars

“A woman who had…gone down a really dark path, and then decided she wanted more for herself. So, she went out and got it.” This describes Constance Ann Fitzgerald in a nutshell.

I have tremendous admiration and respect for this author.

I too finished this book in one sitting. In less than two hours.

The use of second person pulls us deeply into the unfolding events: hard, searing, tragic events.

From here on I will write the rest of this review in second person, complete with fragments, as a little tribute to the beauty of the writing.

You are struck that a bizarro press, Lazy Fascist Press, put this out? You think this could have been published anywhere. You realize this book is the kind of book that will bridge the bizarro and mainstream literary communities if enough people read it.

After finishing the book you realize this book is the literary embodiment of sobriety. You reflect that this is as straightforward as writing gets. And as absorbing. And as necessary.

You also go back and check the use of tenses because that’s the kind of thing you do as a student of strong writing. You realize that there was a masterful alternation between past and present tenses that was invisible during the initial reading.

You keep reading as literary fragments flow perfectly. Then a deeper meaning seems to be there, the fragments symbolizing the fragmentation of life brought about by tragedy. Grief leads to addiction. Addiction leads to shame. Shame leads to self-recognition. Self-recognition leads to the will to change. You forget yourself. You changed into a better person, a person your parents would be proud of. A person who is a perfect example of how to come back from the depths of suffering and bad judgment: you.

Earlier in the book. As you read, you notice that the most tragic events repeat themselves. Every time they repeat you notice the details change. You realize that even these gut-wrenching flashbulb memories will fade. Pain fades. Love fades. Your time is precious. Your loved ones are precious. Even you are precious. Even the unforgettable will be lost to time.

You ponder the references to the joys of Fleetwood Mac songs. You listen to them after you finish the book. You enjoy the music. You feel closer to a stranger. You realize that this book is a heartfelt hug to the grieving. And to anybody who seeks comfort.


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Saturday, March 19, 2016

BizarroCon 2015

BizarroCon 2015 was a mildly strange affair, it was a mix of déjà vu, new discoveries, new experiences, disappointments and expectations surpassed.  I went into it this time knowing many of the faces and having established even more online relations.  Let me not forget the weirdness of encountering a couple of people that I started things with only to drop off the map.  I came in knowing my limitations.  

This time I made it to the opening ceremonies bash thing-aroo.  MP Johnson provided an immediate in to the proceedings, and Bradley Sands proved a reliable way to spark enthusiasm and conversation.  Bradley Sands might be a rich man if he could charge people for this sort of name usage.  I also boasted about my fitness efforts, which included me demonstrating advanced hula-hooping techniques without the hoop, of course.

My first workshop was Jeff Burk's How To Write High-Concept Bizarro.  I forewarned Burk at the shindig the night before that I knew my homework was crap.  He assured me that that's okay since we're there to learn.  

Indeed, my crap was universally passed on and even condemned by one, Garret Cook.  I still felt bad having to endure the actual barrage, but at least I wasn't disillusioned.  It takes me more time to take a leap than it took me to conjure my homework for the workshop.  

Conversely, I liked Garret Cook's homework, it was one of my favorites, and on the sillier side.  Sadly, MP Johnson, one of my more gracious critics, was passed on by me.  Lastly, I commend Jeff Burk for recognizing and commending my attempt at some serious thought provocation with my homework.  Yes, I was extremely lazy (actually just in a creative void) but I still throw out civil minded provocation when I can.

Carlton Mellick III will fuck you up every time.


My next workshop was John Skipp's Chunk-Style Plotting: Pulling Complex Stories Out of Your Ass, The Quick & E-Z Way!  This was a grueling workshop because it was over an hour of solid creation while your partner made note cards of every beat, then they created and you made the note cards.  I was surprised at how much Skipp was able to un-constipate me for that session.  I developed a strong bond with Richard Wolley from this.  Sadly, I had to bail on Wolley when I remembered that I'd forgotten to check out of my single and check in to the hostel.  Fortunately, they did not charge me a fee (as I was late).  Wolley exhibited profound grace and understanding at this.  

I encountered MP Johnson again and G. Arthur Brown and I shared my newfound literary sobriety, fully aware that I was not as wondrous as I thought I was the year before (when it comes to fiction).  I told them that, at least, I can now recognize what's bad, they confirmed the importance of that but emphasized that the real trick is recognizing the good (and, implicitly, being able to create it).  These who's who of BizarroCon were enduring struggles of their own.  I also asked Brown about his magazine The Strange Edge, which I believe was the beginning of the confessions of struggle. 

Danger Slater's eye gag and the presence of Lisa LeStrange is just one of the few things that can go down at BizarroCon.  I was honored that he approached me for a selfie as part of his apparent mission to get a selfie with everybody.  I don't know if he succeeded but I was actually one of the earlier approaches that he made.  



At a later point I also shared with MP Johnson my glorious visions of being a short story producer who would hire him and others of the bizarro revolution to write.  Low effort upfront, hopefully high dividends in the future, both by association as well as potentially financial.  Whatever, right?  

Texas Ranger Danger Slater: What do you think?  Have the right to remain silent, you say?  Yeah, I get it.



I eventually found my way to the reading of William Perkins by William Perkins, which proved an oddly perky affair (I'm sure he gets it all the time but I'm hedging a bet that he doesn't care that much).  The Eraserhead Press party was made by the likes of Perkins, MP Johnson, Wolley, and, of course, the various readings.  Read more here.  And here.

Here was my initiation into the imaginings of Kyle Muntz with assistance from the inimitable Kevin Donihe and J. David Osborne.  This kind of amped up laughter is what BizarroCon is all about, and no one earns higher decibels than the Mellick who's nobody's relic (not working? I get it).  Sadly, I have no video of Mellick's performance.  Now onto Muntz.  



I was looking forward to brunch with much eagerness as I always do.  This year I awoke early and headed down to the main office to have coffee.  I decided to check out the tourist magazines provided by the hotel, which actually gave me some good feelings and vibes.  At one point Andy de Fonseca strutted past in her Edgefield robe with her adorable dog, really they're both adorable.  Then Richard Wolley came down and we talked about many things, culminating in the topic of slavery and being unable to know our choices if we lived in another time.  I also learned of his commitment to the vitality of his skin.  A Canadian also joined us at one point. 




"and no one earns higher decibels than [...] Mellick"



Another interesting fact: Saturday brunch was held in the ballroom due to the especially large group of attendees.  Anyhow, we all went up to brunch and I steered us towards the table with MP Johnson, confident in good cheer ensuing.  Indeed, our table may have been one of the funnest, sweetest, most righteous groupings possible.  I actually earned some of the hardest laughs of the morning (something about "butt surfing"). 

At BizarroCon 2014 I won stuff at the Bizarro raffle, most of it I didn't like except the red wine and local vodka.  This time around I won nothing.  However, most of my table won something.  

Then it was off to the book nook, which I missed the prior year.  Books were bought, have no worries. 

I went to all the panels held on Saturday, unlike last year in which I missed them all for Portland exploration (being my first time).  However, I made the Sunday panels last year, which I skipped this year.
 

Building Your Brand: I didn’t come away with the same quotable pearls of wisdom that I did last year but I came away with some good impressions.  Carlton Mellick III advised that writers should think of themselves more as drug dealers (specifically in reference to meth maestro Walter White of Breaking Bad) and their product should be unique, high quality, and something else (addictive?...consistent?...????).  I wish I could remember the third.  If only most people had the recipe to churn out the literary blue stuff. 

Sauda Namir spoke about compartmentalization in branding between family life and not so family friendly involvements.  Sauda specifically advised the painstaking creation and use of Facebook groups, which allow you to filter who does and doesn’t see certain posts.  Jeff Burk seemed up for some brawling the whole time and Osborne reminded me of Luke Skywalker for some asinine and esoteric reason.
 

Creating Atmosphere In Weird Fiction: Laura Lee Bahr spoke at length about the importance of Los Angeles (regarding identity and lack thereof) to her award winning work.  Specifically, she asserted that the Los Angeles identity is uniquely imposed on it by everyone who visits it.  I tend to agree because my Los Angeles experience is definitely different than that of some others, and my Los Angeles perception changes as I change.  Speaking of Laura, check out some images from her Eraserhead Press Party reading below.
 





Garret Cook brought down the axe on the first season of True Detective for not following through on the nihilistic tone, which he ultimately condemned as mere posturing in the end.  I, for one, was seduced by the posturing.  Granted, I agree with Tarantino’s assessment in that much of it was boring, I guess I just enjoy being bored by Mathew McConaughey and slick camerawork.  I think all of this True Detective talk came out of the complaints that mood is too often insincere or arbitrary or otherwise unnecessarily presented.  Cook was emphasizing the importance of psychology and emotion to mood since that is, after all, what it really is (not thunder and lightning and barking dogs).  When creating atmosphere the emotions should come first, not surroundings.   
 

Writerly Advice: John Skipp inspired me with his relations of failure year after year, assuring me that I’m still young and need not throw in the towel.  Eventually Skipp became the thing for others that he was looking for himself.  Much of the panel focused on walking the line between artistic integrity (refusing to make changes) and accommodation for an editor (possibly “selling out”).  Danger Slater did heed Skipp’s advice and they all agree that it was the right advice.  In that kind of scenario, where the publisher truly has the best intentions for the writer and believes in the work, they advocated for creative flexibility.  On the other hand, if they want a complete overhaul then they advocate self-discipline and integrity. 
 

The Art of Bizarre Sex: This was the one I was looking forward to the most because I’m a guy who didn’t know how sacred sex of the page really is.  Stephen Graham Jones’ observation about some writers being “masturbators” (writing for their own selfish enjoyment) hit close to home.  Furthermore, the main thesis of the panel was that sex is on the page as it is in life, it is something that involves a great deal of vulnerability and sensitivity.  As such, they insisted that literary sex must be earned through strong character development.  Just as you have to gradually interest the average person to have sex through emotional connections brought about by many shared non-sexual experiences, so it is with literary sex, it is an author’s duty to seduce the reader through various non-sexual characteristics and actions before plunging them into the R-rated/NC-17 juicy stuff. 
 

They also talked about the larger idea of what it is to write for public consumption and to read.  Generally, authors don’t write for stadiums, they write for individuals.  This individual is taking a chance on the author; they may have time, money, mood, and other things at stake.  Writing and reading are inherently acts of intimacy between people.  As such, thrusting your reader into sexual situations without an emotional foundation will sometimes offend or disgust them, or leave them indifferent.
 

Robert Devereaux seems like he has a license to throw readers into sex cages* despite everything stated above, but even he shared that his material comes from deceptively sincere places of his soul.  I think I finally grew up, on some level, after witnessing this panel discussion.  I always thought the page was a harmless place for me to throw down my pent up sexual fantasies, apparently, the page needs almost as much commitment and vulnerability as the real thing. 
 

*I’m sure someone will assure me (if only in their heads) that Devereaux does indeed have a license to do just that. 
 

Mandy de Sandra came out of nowhere.  BizarroCon was my introduction to this purveyor of provocation.  DeSandra, however, is just as often the recipient of provocation.  (S)he had the most enduring stamp on me, much of what I summarized above came straight from the lips of DeSandra.  Speaking of DeSandra, Christopher Paul sure came along way in many enviable ways since last year.  Hopefully I will find my feet as he did one day, but first I think I need to walk on my hands (personal fitness reference).    


Hey, read more about Mandy DeSandra here.  What fortuitous timing!
 

We were locked out of the Word Horde reading.  Apparently, Ross Lockhart actually puts things into lockdown mode in the real world (not just in my silly, think I’m so cleverly cool imagination).  At this point I found myself admiring the steady fall of light-to-medium rain.  I found myself wandering the property as I love rain walking and generally like to keep moving, unless watching movies/TV or eating. 
 

I was surprised by what I missed the first year, especially the fact that they have a pretty impressive golf course on their property (something I was actually tipped off by when overhearing another guest talking with the desk staff).  They were closing sections off but I slipped by and had a nice extended stroll/hike around and across this course.  This was one of those experiences that transcended and escaped my urge to comprehensively photograph places. 
 

Then I got back and still had more than an hour to kill before the big event of the whole convention: The Wonderland Awards/Ultimate Bizarro Showdown.  In the darkened room I felt kind of blue while I waited, part of it because of dwindling finances, part of it because of under-stimulation.  I made bookings for and planned parts of my Eugene side trip at that point, and I also looked up J. David Osborne and Mandy DeSandra, and some others I was preciously ignorant of prior to the day.
 

When I entered the ballroom again my brain was an aquarium for feelings of contentment and discontentment alike.  I was contented to be there but discontented that I was still an undistinguished presence.  I enjoyed the buffet, which once again had a distinctly Latin character.  I resisted the temptation to rejoin MP Johnson as I already crashed his table in the morning and was one of his honored companions (by his doing) the first time around.  I thought I owed it to myself to broaden my circle and let others experience his company.
 

Ultimately, I wasn’t too successful at broadening my circle, but I gained more attention from Cameron Pierce, and I was reunited with Jim Agpalza who was one of the finer ambassadors of BizarroCon my first time around. 
 

My main man, MP Johnson, won his category of which I couldn’t be more pleased.  Violet LeVoit, whose workshop I took last year, won her category and her presence was related by John Skipp via phone communications.
 

As far as the showdown went I was more impressed with 2014, however, Danger Slater kicked some serious ass.  G. Arthur Brown also blew my mind with an underrated piece of stand-up comedy oozing hard-boiled machismo and a preoccupation for a myriad of insect legs.  Andy De Fonseca had me questioning the big questions about God and whether or not I should be turning to God with explicit requests (something I generally see as being shameless).  I was also impressed that they had each table photographed, which helped me fill in certain names for this post.  Fonseca was a fine photographer for the evening.  
 

At the Wonderland Book Awards After-Party I found myself dragging Jim Agpalza into a world of confusion and off-center vibes with my speechifying and general sense of moral and creative isolationism and vagaries.  Non-sequiturs are my bread and butter, which all too often leaves me without patronage.  And then there was Perkins who was the party for yours truly. 
 

I called it a night relatively early as I had a big day ahead.
 

The next morning I eagerly stepped into the brunch quarters.  This time I had an agenda: the acquisition of MP Johnson’s signatures on two of my books, one being my copy of the big winner.  He fulfilled this request with tremendous grace.  This was not a funny brunch as Saturday had been, rather a solemn mood set over the scene as indeed the infamy of Sunday afternoon was looming large in all our minds, hence, returning begrudgingly to our day-to-day lives (even if those lives that are awesome, as even awesome lives are more awesome still at the con).
 

Boy oh boy, did I love eating me up some breakfast buffet once again.  Breakfast/brunch is probably my favorite kind of buffet.  After I acquired my signatures and had my fill I said my early goodbyes to key folks, particularly Johnson, as I had to head to Eugene.*  I also finally worked up the nerve to inquire about Gabino’s lack of ponytail and how I missed those luscious locks (but not in those words).  Apparently, as he put it: The shit wasn’t working out.  As soon as he cut it he found himself employed, which affirms my suspicions about ponytail discrimination (and very possibly envy).  Ponytail rights is a serious issue that requires serious organization and serious individuals who must demand and only accept serious changes (namely the right not to change your hair).  I digress.  



Yo may read about my Eugene travels here. 


More Eugene travels here.

You may read about my Portland activities leading up to this year's BizarroCon here.


Sadly, when I boarded the bus I still didn’t have a ponytail, but I had all my possessions and the necessary fare.        

For your listening and viewing pleasure I have a few short excerpts of Andrew Goldfarb's psychedelic renderings, which I obviously enjoyed enough to record parts of.  I believe this is all consistent with fair use, and hope I get no complaints for sharing this. 






      

Thursday, June 4, 2015

Writing Workouts

Recently I started exercising again with regularity thanks to a tweet by Allie MacDonald sharing a full body circuit workout.  Initially it was only three days a week, but after a couple of weeks I have started doing more; it has taken on a life of its own.  I especially do extra ab/core sessions on additional days.

Another Problem

I have not written any fiction for months now thanks to a haze of infatuation, financial issues, and more infatuation.

I realized today that I could (and should) apply the same strategy to developing a writing habit and ultimately find new levels of passion and commitment in that realm.  I've decided to start writing three times a week for thirty minutes.  Thirty minutes is a very obtainable goal.  However, it is only a minimum; if and when I want to go longer, I will, and the same goes for additional days. 

I also rediscovered the urgency of my goal to be a "who's who" at the next BizarroCon, which I neither want to miss or return having achieved little in a year.

I also initiated a couple of collaborations a few months ago that I've dropped the ball on.  Those collaborations must be dealt with soon.


Monday, May 11, 2015

Dodgeball High: Review

Dodgeball HighDodgeball High by Bradley Sands
My rating: 4 of 5 stars

"Training you was a huge waste of time. I could have been doing something more productive...like picking my nose."

The above line is burned into my memory, extremely hilarious. Bradley Sands finds productivity in the most unexpected places. And he finds redemption where others find only repulsion.

I finished this almost exactly one month ago. It took me this long to write the review. On one hand, the wackiness of his writing seems to defy the quest for redemptive value. On the other hand, nobody has me turning the pages like Bradley Sands.

This is the story of Justin Lucas, the new kid at a very unusual high school, Lungville High, where dodge-ball is at the heart of the curriculum. However, this oddness is just the tip of the iceberg. This story also gives new meaning to detention, which is more of a psychological training ground than punishment.

I think Bradley Sands may have pushed the material farther than it needed to go, in terms of twists and turns and escalating action and stakes. Yet, he taps into the nearly universal experiences of high school, love, the need to belong, survival, and the need to be taken seriously.

Early on, the book seems to be autobiographical, in my estimation. Justin, the protagonist says something serious and others misread his seriousness and laugh. Justin is unintentionally hilarious to others, and he learns to be relatively proud of this; I believe this is similar to what Bradley Sands has experienced in the past. Most of us have some of these moments, but some of us have more than others. I've had these moments too. You try to write horror (or something), but, when it's read aloud, people laugh their asses off. However, as the book progresses, these elements get overshadowed by much more preposterous developments.

There are bodybuilders, restaurants where cows are slaughtered for diners' satisfaction, nuclear bombs, erections, serial killers, and so much more in this sandy cocktail brought to you by the connoisseur of crazy, Bradley Sands.

Bradley Sands' story unfortunately suffers from an inherently sexist perspective, a teenage boy who heavily objectifies girls. This closed first-person approach will have feminists cringing, and this is nothing new for Sands or Bizarro fiction. However, I'd love to see Sands write a book that is satisfactory to feminists. He claims to have run out of creative gas lately. Well, I challenge him to write a book featuring women protagonists whose conversations and thoughts rarely involve men as a focus. Bradley Sands' inner woman yearns for expression.

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Tuesday, April 28, 2015

My Weekend in Minneapolis for the Bizarro Bash - April 10-12



I was one of many people invited by author M.P. Johnson to attend the Bizarro Bash, which he was organizing to coincide with the Associated Writers Press Conference being held in Minneapolis.   The last (and first) time that I saw these people was BizzaroCon back in November 2014.  I thought it would be a good excuse to travel.  I decided the trip would be worthwhile due to the blogging material potential, especially for my photography blog: Scene Trip. 

Friday

I arrived at the airport early enough to buy coffee.  I was leaning toward Starbucks until I heard an old couple discussing how McDonald’s would have cheaper coffee.  So I actually went to McDonald’s.  I snagged some Starbucks sugars and other additions, getting the best of both worlds.

The airline crew was in an exceptional mood on the Friday of my departure.  It was announced that someone dropped something.  When people looked up, the young woman said, “Now that I’ve got your attention…” and she proceeded to go over the policies and safety procedures.  Another standout joke came when she explained the no smoking policy; she announced that they do have designated smoking areas, one on each wing, where the feature presentation will be Gone with the Wind.  It was a fun flight and relatively quiet. 

Caribou Coffee

There were reports of snow when we departed but you wouldn’t know it when we landed.  However, other thrills awaited me.  The Minneapolis/St. Paul airport is a world class airport that must surely be one of the world’s best.  The airport mall was filled to the brim with dining and shopping options and it was very clean and shiny unlike the notorious LAX.  Three places stood out.  First, I noticed the regional coffee chain, Caribou Coffee.  I ordered a blended mocha and I loved the super pale baristas.  There was a man and a woman.  The young man gave me a Lone Gunmen vibe with his long light-blonde hair worn in a ponytail, his glasses, and a similar voice.   Second, I noticed a Fox News store, which almost struck me as a practical joke played on the region (and representative of very different politics).  Lastly, there was a Native American themed store, Spirit of the Red Horse.  It was pretty inauthentic from the looks of it, but, nonetheless, intriguing to see.  

Fox News Channel Store

 Spirit of the Red Horse

There are two terminals, which are connected by tram.  Then the airport is connected by light rail to Mall of America (and points in between) to the south, and downtown Minneapolis (and points in between) to the north.  Overall, the airport provided a very welcoming introduction to the area. 

Checking into the hostel was not without minor issues, yet the overall experience was pleasant.  It wasn’t long after check-in that I had to head straight to The Cabooze for a late-night rock music show, the kind with a cheap cover charge.  However, before I left, I had a nice and short conversation with the male manager.  I claimed a seat in a secluded tier in the back.  I had the section to myself most of the night.  Sadly, I sat for a whole hour before the show even began.  The show lasted for four hours, which meant that I sat there for five hours without any drinks or food because funds were limited.  The highlights were (1) the second band, Little Man, (2) the guitarist, with cool wavy blonde hair and even cooler moves, from The Red Daughters, and (3) some sax and pedal-heavy songs from the headliners, Ghost Towns of the West.  This was for an assignment for my community college rock music class.  Taking care of class business made the trip all the more worthwhile.      

Saturday

Saturday morning I discovered the classical radio station KSJN 99.5, one of the few remaining full-time classical radio stations in the country.  KSJN has a really neat Saturday morning program that features Hollywood tunes in the classical tradition.  My first stop was the University of Minnesota, Minneapolis.  It was a beautiful, sunny morning on a nice campus.  From there I went to Boom Island Park on the east bank of the Mississippi River.  Then I went to Mall of America.  Mall of America is four stories of shopping and dining surrounding an indoor amusement park.  There is also an underground aquarium.  It lived up to its reputation. Then I walked over to The Ramada (historic Thunderbird Hotel), which was rather underwhelming.  Then it was time for the Bizarro Bash, the original reason for the trip. 

The Bizarro Bash was held at Grumpy’s Bar & Grill, east of the city center.  It was more packed than I would have liked.  The readings were generally underwhelming compared to BizarroCon, which features the best of the best.  I didn’t get any photos.  I didn’t socialize much.  However, I learned of a writer, which gave the trip some networking value.  That writer is Eric Hendrixson.  He was far and away the highlight of the evening.  He read a hilarious piece catering to writers and editors about rejection.  The story is about a young woman who submits unrelated poetry to a publication entitled The Horse Fucker Review one too many times.  This reading alone offset all the disappointments. 

Afterwards, I visited a candy store called Candyland located just off of Nicollet Mall.  I bought some rock candy and decided to return to my lodgings early since the previous night had been such a late one.  I had a nice time staying up in the “living room” with some complementary coffee while reviewing photos and videos, tending to my social media, and otherwise relaxing while the sounds of KSJN graced the otherwise quiet space.  During that night, I had another pleasant conversation with the male manager. 

Sunday

I reserved my entire meal budget, with the exception of coffee beverages, for Sunday.  I had breakfast at The Bad Waitress diner (Out-Of-This-Earth Scramble) and lunch at Quang Restaurant (plain pho with onions).  The Bad Waitress is distinct because servers don’t take your order or seat you (unless you’re a large party).  Customers take a seat wherever they choose and write down their own orders and present them at the register.  Then you pay.  You take your seat again and wait for the food and that’s it.  It was a nice, down to Earth experience. 

Following breakfast, I enjoyed a bike ride from my hostel down to the northern tip of Lake Harriet and back, riding the length of Lake Calhoun.  I also visited the southern tip of Lake of the Isles.  My last stop was the Minneapolis Sculpture Garden before revisiting the city center one more time before returning to the airport.  Unfortunately, I never took any pictures of the airport mall because I figured that it would create problems if I took out my DSLR in this highly secured environment.  That’s another reason to get a cell phone/camera. 

The returning flight was not as fun.  There were unruly/fussy little kids and babies.  The crew was not humorous.  And, of course, the fun and the weekend were ending.  I then had to wait longer than ideal for the LAX Flyaway shuttle, which led to an even longer wait at the train station for the last Pacific Surfliner of the night, which was delayed an hour.  However, KJAZZ was broadcasting a nice LACMA Kathleen Grace concert during the LAX Flyaway ride.  I also got lucky and didn’t have to pay. 

Although the trip went out with a whimper, the overall experience was a hopping one, at least as hopping as it gets for me.

Thursday, April 16, 2015

MFA Application: Fall 2015 Status

                                  

I am hanging in there with three programs remaining.  That's not too bad, statistically, this late on.  Two of the programs are earlier deadline programs.  I suppose I'm on an informal waiting list.  I replaced MFA anxiety this year with another anxiety, hence, I am pretty cool about all this.